Tag: "germancultureclasscollection"

Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Bookplate of Gaspard Ernest Stroehlin (1844-1907) with the stamp of bookseller Alexander E. Seeligmüller (Seeligmueller)
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Bookplate of Gaspard Ernest Stroehlin (1844-1907) with the stamp of bookseller Alexander E. Seeligmüller (Seeligmueller)

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Woodcut vignette of the Christ Child with the instruments of the Passion. Used by Melchior Ramminger of Augsburg.
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Woodcut vignette of the Christ Child with the instruments of the Passion. Used by Melchior Ramminger of Augsburg.

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Woodcut arms of Michael Küchmeister (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Michael Küchmeister (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Woodcut coat of arms, possibly of Sebastian Linck, the author? Used by Johannes Petrejus of Nuremberg
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Woodcut coat of arms, possibly of Sebastian Linck, the author? Used by Johannes Petrejus of Nuremberg

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Woodcut illustration of Grammar as a memory image from Johann Horst von Romberch's work on memory, Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)
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Woodcut illustration of Grammar as a memory image from Johann Horst von Romberch's work on memory, Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)

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Woodcut containing coat of arms of George the Bearded (1471-1539), Duke of Saxony. Used by Valentin Schumann of Leipzig.
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Woodcut containing coat of arms of George the Bearded (1471-1539), Duke of Saxony. Used by Valentin Schumann of Leipzig.

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Seventh in a series of woodcut illustrations representing one of the ten ages of human life. Used by Hans Schobser of Munich
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Seventh in a series of woodcut illustrations representing one of the ten ages of human life. Used by Hans Schobser of Munich

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Woodcut memory images from Johann Horst von Romberch's work on memory, Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)
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Woodcut memory images from Johann Horst von Romberch's work on memory, Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)

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Woodcut illustration (teacher and students) used by Franz Behem of Mainz
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Woodcut illustration (teacher and students) used by Franz Behem of Mainz

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Woodcut diagram of the faculties of the soul from Johann Horst vom Romberch's Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)
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Woodcut diagram of the faculties of the soul from Johann Horst vom Romberch's Congestorium artificiose memorie (Venice: Melchiorre Sessa, 1533)

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16th-century German binding: full blind-tooled pigskin over wooden boards
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16th-century German binding: full blind-tooled pigskin over wooden boards

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16th-century German binding: detail of central panel of left board
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16th-century German binding: detail of central panel of left board

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Woodcut arms of Heinrich Reuss von Plauen (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Heinrich Reuss von Plauen (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Woodcut arms of Heinrich Reffle von Richtenberg (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Heinrich Reffle von Richtenberg (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Bookplate of William Stirling Maxwell (1818-1878)
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Bookplate of William Stirling Maxwell (1818-1878)

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Woodcut title border used by Melchior Ramminger of Augsburg
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Woodcut title border used by Melchior Ramminger of Augsburg

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GC5 C1483 544p
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GC5 C1483 544p

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Woodcut t.p. border with Peter and Paul, the 4 Evangelists and the four Latin fathers (Pope St. Gregory, St. Jerome, St. Ambrose and St. Augustine) attributed to Heinrich Satrapitanus, i.e. Heinrich V...
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Woodcut t.p. border with Peter and Paul, the 4 Evangelists and the four Latin fathers (Pope St. Gregory, St. Jerome, St. Ambrose and St. Augustine) attributed to Heinrich Satrapitanus, i.e. Heinrich V...

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Woodcut coat of arms of Bernardo Clesio (1485-1539), Prince-Bishop of Trent. Used by Alexander Weissenhorn (I) of Augsburg.
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Woodcut coat of arms of Bernardo Clesio (1485-1539), Prince-Bishop of Trent. Used by Alexander Weissenhorn (I) of Augsburg.

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Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Bookplate of Gaspard Ernest Stroehlin (1844-1907) with the stamp of bookseller Alexander E. Seeligmüller (Seeligmueller)
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Bookplate of Gaspard Ernest Stroehlin (1844-1907) with the stamp of bookseller Alexander E. Seeligmüller (Seeligmueller)

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Woodcut vignette of the Christ Child with the instruments of the Passion. Used by Melchior Ramminger of Augsburg.
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Woodcut vignette of the Christ Child with the instruments of the Passion. Used by Melchior Ramminger of Augsburg.

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Woodcut arms of Michael Küchmeister (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Michael Küchmeister (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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