Tag: "manuscript"

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b
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Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Lower board outside
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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Lower board outside

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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.12b
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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.12b

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Calligraphic page from an album, Walters Art Museum W.672, fol. 2b
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Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.22a
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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.22a

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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Upper board outside
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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Upper board outside

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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.12b
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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.12b

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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.22a
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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.22a

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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Upper board outside
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Illuminated Manuscript, Gloss on The lamentations of Jeremiah, Original binding, Walters Manuscript W.30, Upper board outside

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Illuminated Manuscript Koran, Binding, Walters Art Museum Ms. W.553, Upper board outside
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Illuminated Manuscript Koran, Binding, Walters Art Museum Ms. W.553, Upper board outside

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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.5a
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Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.5a

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Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Burchard von Schwanden (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Woodcut coat of arms, possibly of Sebastian Linck, the author? Used by Johannes Petrejus of Nuremberg
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Woodcut coat of arms, possibly of Sebastian Linck, the author? Used by Johannes Petrejus of Nuremberg

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Robert M. Baltzer (ca. 1813-1838)?
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Robert M. Baltzer (ca. 1813-1838)?

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Woodcut used by Wolfgang Stoeckel
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Woodcut used by Wolfgang Stoeckel

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16th-century German binding: full blind-tooled pigskin over wooden boards
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16th-century German binding: full blind-tooled pigskin over wooden boards

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Illuminated Manuscript, Koran, Double-page illuminated frontispiece, Walters Art Museum, Ms W.743, fol. 1b
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Illuminated Manuscript, Koran, Double-page illuminated frontispiece, Walters Art Museum, Ms W.743, fol. 1b

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Title page of a book from the library of Maria Benigna Francisca Piccolomini (1635-1701)
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Title page of a book from the library of Maria Benigna Francisca Piccolomini (1635-1701)

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16th century German binding: full blind-tooled pigskin over wooden boards
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16th century German binding: full blind-tooled pigskin over wooden boards

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Device of Sebastianus Gryphius, 1493-1556
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Device of Sebastianus Gryphius, 1493-1556

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Stamps from the Jesuit college in Naples and from the Reale Biblioteca Borbonica (Biblioteca nazionale (Naples, Italy))
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Stamps from the Jesuit college in Naples and from the Reale Biblioteca Borbonica (Biblioteca nazionale (Naples, Italy))

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Woodcut illustration of Verginia's trial before Appius Claudius and her death at the hand of her father Verginius
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Woodcut illustration of Verginia's trial before Appius Claudius and her death at the hand of her father Verginius

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Woodcut arms of Martin Truchsess von Wetzhausen (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]
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Woodcut arms of Martin Truchsess von Wetzhausen (hand-colored) used by Georg Osterberger of Königsberg [i.e. Kaliningrad]

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Woodcut of St. Paul at his writing table; used by Hans Lufft of Wittenberg
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Woodcut of St. Paul at his writing table; used by Hans Lufft of Wittenberg

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